So I audition the fabrics by pinning them to the work-in-progress. Then I sit back at a distance and try to figure out if that foliage fabric is too dark of a value? Is the green too bright and oddly intense? Is there too much rusty orange in that one ground fabric?
Sunday, July 21, 2013
Auditioning
So I audition the fabrics by pinning them to the work-in-progress. Then I sit back at a distance and try to figure out if that foliage fabric is too dark of a value? Is the green too bright and oddly intense? Is there too much rusty orange in that one ground fabric?
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I feel your pain. ;-) Yet, you always decide on the perfect fabric in the end.
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